3/22/2023 0 Comments Sony slog3 lut![]() ![]() EXPOSURE SETTINGS: ATTR +1.7 to +2 Stops. This REC709 LUT is my favorite way to get my SLOG3 footage in the right color space to then grade on top of. Sony has announced a firmware update that brings additional professional cinema camera features to the Sony FX3 including additional log shooting modes, LUT importing. Those Luts are created for Sony A7SIII A7IV Slog3, S-Gamut3.Cine, PP8 Picture Profile. These luts like any luts will require slight adjustments. Luts should be used as a tool not a crutch!Įvery single image is slightly different in framing, color, and lighting. It’s important to expose properly, LUTs are not the end all be all form of color grading, they are a base to build off of. NOTE: With SLOG3, most people recommend you over expose by +1 - +2 stops, I dont! Expose to what feels right, I find that I tend to expose a pretty natural way, where I dont need to bring it down too heavy in post.Ĭreated in Davinci Resolve, designed for Sony SLOG3 with S-Gamut3.Cineįor Premiere users, use the creative tab in Lumetri, to adjust the strength needed as to preference. Some conversion LUTs are pretty stylized and contrasty, and I found this approach to be my favorite. With this conversion LUT, I went for a natural clean base where you have the latitude to add / take away contrast, sat, etc. You can use them for your films and TV, social videos, presentations. Works especially well with heavy film grain.After getting asked how I grade my footage, I was inspired to create a conversion LUT for SLOG3 that is natural and beautiful. This LUTs pack contains 25 Sony Slog3 Wedding LUTs and 25 Wedding Rec 709 LUTs. Great for War Films, Crime, Urban Fashion. Modelling the Bleach Bypass process for strong contrast and low saturation.Īggressive, gritty look - halfway between black and white and colour film. Shot on: Munich, War of The Worlds, Crash Sony Pictures The hub for your favourite movies and TV shows. It was built from scratch by me and used wi. Sony and the Environment How we’re reducing our eco-footprint through energy efficiency and recycling initiatives. LUT 6) ‘Bleach’ - Modelled on Fujifilm Super F 8552 This SLOG3 to REC-709 LUT is designed to be used against footage that was captured 1.5 to 1.7 stops over exposed. Greens are cool and rich, skin is golden, blues skew turquoise and modern, colour accurate yellows compared to Kodak. My go-to for Fashion and Beauty but can work with almost anything. Here are two new LUT’s for use with Sony cameras that shoot with S-Log3 and S-Gamut3.Cine. Rich but not overpowering colours and saturation characteristics. Overall smoother contrast and rolloff compared to Kodak. Shot on: Captain Phillips, Wall Street: Money Never Sleeps, The Butler What we are doing wrong (Im not a colorist, I just a video editor, I. LUT 5) ‘Eterna’ - Modelled on Fuji Eterna 8563 We see the footage without personality or no difference between slog3 / normal filming. Overall lift in saturation and contrast compared to ‘Vision’ but still balanced.Ĭan elevate a dull scene with its look but not overpower a rich scene. Greens are slightly warmer, blues slightly turquoise and skin more golden. LUT 4) ‘Vision Teal’ - Variation on Kodak Vision 5274 (LUT# 1) Modelled on the Re-Graded versions of classic films from 70s & 80s Greener in cast than the more magenta original Eastman 5247 This LUT gives your footage a beautiful natural base to build your grade off of. ![]() LUT3) ‘Eastman RM’ - Variation on Kodak Eastman 5247 (Introduced Jan 2022)Ĭlassic Eastman Look but modernised (Orange & Teal) Sony SLOG3 - REC709 Conversion LUT for Sony cameras that shoot in SLOG3. Greens skew warm, blues slightly turquoise, gold/pink skin-tones. Saturation strongest in mids and falls off in shadows and highlights. Shot on: Apocalypse Now, Bladerunner, Alien, ET It also makes the image moody and more attention-grabbing, which is great if your video mainly features people, architecture, or picturesque landscapes since it makes the subjects pop out. LUT 2) ‘Eastman’ - Modelled on Kodak Eastman 5247 Best Sony LUTs addi drama and depth to the footage. Skews green in shadow areas and when underexposedĬlassic film character but less stylised than any other stock Gentle roll off and rich, smooth fall off in shadows Strong contrast and filmic subtractive colour model in saturation The most colour accurate stock with accurate blues, slightly cool greens, accurate skin tones which slightly skew pink/gold Shot on: The Matrix, Lord of the Rings Trilogy, Gladiator LUT 1) ‘Vision’ - Modelled on Kodak Vision 5274 The emulations are based on my own research and subjective impressions of the film stocks listed. ![]() The ‘Film Look’ LUT Pack contains 6 LUTs inspired by real film stocks designed to give your S-LOG Footage the Film Look. ![]()
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